Järfälla
Järfälla, 2016
Collage by Motoproprio
“It is the purest of human pleasures”, so Francis Bacon difienes the garden and its strong importance in the daily life.
A fragile enviroment where people can gather together and share passions and experiences.
Parks in the swedish urban culture have a strong and central position.
In the city centre are still used constantly by the population, but in suburbian areas they are weaken by new technologies and a changement in the daily life behaviors.
The proposal for new gates of Järfälla Public Park are two monumental screens made of painted conrete blocks and simple bulb lamps.
These real architectures welcome visitors as graphical facades which are connected and alterated by the intesity of roaming fluxes: as thermometers they react to the ammount of connections increasing the luminosity and interferate on it until a temporary black out caused by an excess of devices connected and shared information to the public wifi of the park.
A lo-fi interactive device in order to sensibilize visitors on a importance issue: social relations between people strongly compromised by new technologies and social networks.
Technique: collage
Paper: Hahnemühle photo Rag 308g/mA
Medium: “giclée”art print type
Ink: anti-aging pigment inks
Guarantee: certificate of authenticity signed by the architect
Jarfalla
120,00€ – 590,00€
Description
Collage by Motoproprio
“It is the purest of human pleasures”, so Francis Bacon difienes the garden and its strong importance in the daily life.
A fragile enviroment where people can gather together and share passions and experiences.
Parks in the swedish urban culture have a strong and central position.
In the city centre are still used constantly by the population, but in suburbian areas they are weaken by new technologies and a changement in the daily life behaviors.
The proposal for new gates of Järfälla Public Park are two monumental screens made of painted conrete blocks and simple bulb lamps.
These real architectures welcome visitors as graphical facades which are connected and alterated by the intensity of roaming fluxes: as thermometers they react to the ammount of connections increasing the luminosity and interferate on it until a temporary black out caused by an excess of devices connected and shared information to the public wifi of the park.
A lo-fi interactive device in order to sensibilize visitors on a importance issue: social relations between people strongly compromised by new technologies and social networks.
Paper: Hahnemühle photo Rag 308g/mA
Medium: “giclée” artprint with anti-aging pigment inks
Guarantee: certificate of authenticity signed by the architect
CLICK HERE for more info about fine art quality
FORMATS
BLACK BRUSHED ALUMINIUM FRAME
A classic frame for the work, 100% aluminium, acrylic glass and rings attached to the back. Available for A4 to A1 formats.
NATURAL OAK FRAME
A classic frame for the work, made of 100% solid oak wood certified as sustainable, with rings attached to the back. Available for A4 and A3 formats.
DIBOND MOUNTING FRAME
A very ‘clean’ look when the work is hung, as it is mounted directly on 3mm Dibond; the wooden stretcher frame sets the work away from the wall. The work is printed on anti-UV, anti-aging and anti-smudge art papers, meaning that it needs no glass to protect it. Available for all formats.
Additional information
Weight | N/A |
---|---|
Dimensions | N/A |
Format | A0 (84,1 x 118,9 cm) – 10 u, A1 (59,4 x 84,1 cm) – 20 u, A2 (42 x 59,4 cm) – 30 u, A3 (42 x 29,7 cm) – 50 u, A4 (21 x 29,7 cm) – 100 u |
Framing | Unframed, Black brushed aluminium, Natural oak by Moebe, Dibond mounting |