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Carmine

Carmine, 2013

Collage by Motoproprio

The façades of certain Florentine churches were left unfinished. This work is part of a project that sought to complete the churches of San Lorenzo, Santa Maria del Carmine, and San Frediano in Cestello.

For Motoproprio, this project is neither one of simple decoration nor an exercise in style based upon a nostalgic notion of the city. It interrogates the status of these places beyond the memorial function that is usually attributed to them, and thus constitutes an architectonic project exploring the rasion d’être of these buildings today relegated to the city’s margins.

The completion of the façade, in this work that of del Carmine, confers a new centrality upon the church which resolves the fragility of the adjacent public spaces.

Technique: digital drawing
Paper: Hahnemühle photo Rag 308g/mA
Medium: “giclée”art print type
Ink: anti-aging pigment inks
Guarantee: certificate of authenticity signed by the architect

+ more info about formats & framing

 
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Carmine

120,00590,00

Description

Collage by Motoproprio

The façades of certain Florentine churches were left unfinished. This work (2013) is part of a project that sought to complete the churches of San Lorenzo, Santa Maria del Carmine, and San Frediano in Cestello.
For Motoproprio, this project is neither one of simple decoration nor an exercise in style based upon a nostalgic notion of the city. It interrogates the status of these places beyond the memorial function that is usually attributed to them, and thus constitutes an architectonic project exploring the rasion d’être of these buildings today relegated to the city’s margins.
The completion of the façade, in this work that of del Carmine, confers a new centrality upon the church which resolves the fragility of the adjacent public spaces.

Paper: Hahnemühle photo Rag 308g/mA
Medium:  “giclée” artprint with anti-aging pigment inks
Guarantee: certificate of authenticity signed by the architect

CLICK HERE for more info about fine art quality

FORMATS

BLACK BRUSHED ALUMINIUM FRAME

A classic frame for the work, 100% aluminium, acrylic glass and rings attached to the back. Available for A4 to A1 formats.

 

NATURAL OAK FRAME

A classic frame for the work, made of 100% solid oak wood certified as sustainable, with rings attached to the back. Available for A4 and A3 formats.

 

DIBOND MOUNTING FRAME

A very ‘clean’ look when the work is hung, as it is mounted directly on 3mm Dibond; the wooden stretcher frame sets the work away from the wall. The work is printed on anti-UV, anti-aging and anti-smudge art papers, meaning that it needs no glass to protect it. Available for all formats.

Additional information

Weight N/A
Dimensions N/A
Format

A0 (84,1 x 118,9 cm) – 10 u, A1 (59,4 x 84,1 cm) – 20 u, A2 (42 x 59,4 cm) – 30 u, A3 (42 x 29,7 cm) – 50 u, A4 (21 x 29,7 cm) – 100 u

Framing

Unframed, Black brushed aluminium, Natural oak by Moebe, Dibond mounting

SKU: N/A Category:

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